No. 4 (2014): Spanish-Italian contrastive orality: grammatical, discursive and textual aspects

MONOGRAPHIC SECTION

• Introduction

  Félix San Vicente, Esther Morillas

  9-19

  • PDF (Spanish)

• Focus preposition in Italian and Spanish as L2

  Margarita Borreguero Zuloaga

  21-47

  • PDF (Spanish)

• A contrastive analysis of psycho-social formulae in Italian and Spanish

  Giovanni Brandimonte

  49-67

  • PDF (Spanish)

• Prefabricated orality in a classical Italian film: a study of Una giornata particolare

  Estefanía Flores Acuña

  69-89

  • PDF (Spanish)

• 4. The concept of orality from the Ordine delle lettere to the Diálogo de la lengua

  María Enriqueta Pérez Vázquez

  91-107

  • PDF (Spanish)

• Orality and communicative setting in consecutive interpreting: an exploratory study

  María Rodrigo

  109-126

  • PDF (Spanish)

Interpretation and translation

• Oralidad y situación comunicativa en interpretación consecutiva: un estudio exploratorio

  Matteo Anfuso, Mara Morelli

  129-147

  • PDF (Spanish)

• Analysis of speech disfluencies in simultaneous interpreting from Italian into Spanish

  Michela Bertozzi

  149-164

  • PDF (Spanish)

• Critical oral features in simultaneous interpreting: a Spanish-Italian contrastive analysis based on the EPIC corpus

  Mariachiara Russo

  165-181

  • PDF (Spanish)

• The concept of orality in the translation of Italian pop music: two approaches

  Rocío García Jiménez

  183-196

  • PDF (Spanish)

• Transition from oral discourse to writing in the legal field

  Chiara Sinatra

  197-212

  • PDF (Spanish)

• "Un poquito de por favor” (“A little bit of please”): the challenge of orality to subtitling constraints

  Raffaella Tonin

  213-227

  • PDF (Spanish)

Reviews

• Reviews

  Nuria Pérez Vicente, Montserrat Veyrat Rigat, Rosa Mateu Serra, Giovanni Garofalo, Silvia Monti, Marina Bianchi

  229-248

  • PDF (Spanish)