No. 1 (2013): Identity and metamorphosis of the lyrical 'I' in Spanish literature

MONOGRAPHIC SECTION

Beyond the subject: from the search for the other to the emptied lyrical self

Pietro Taravacci

11-21
- PDF (Spanish)
The origins of Iberian poetry: profile of a lyrical proto-subject

Veronica Orazi

23-41
- PDF (Spanish)
Parece que con mis ojos se abrasan los horizontes. The lyrical evidentia of Juan de Tassis, Count of Villamediana

Flavia Gherardi

43-62
- PDF (Spanish)
Towards modernity: new attitudes of the lyrical self in Spanish poetry between Baroque and Neoclassicism

Alain Bègue

63-88
- PDF (Spanish)
Rosalía de Castro and the lyrical voices of En las orillas del Sar

Maria Rosso

89-103
- PDF (Spanish)
The dark search for the lyrical self in Vicente Aleixandre’s surrealist poetry

Gabriele Morelli

105-119
- PDF (Spanish)
Destruction of character and blurring of the lyrical subject: Lorca, Valente, Novo

Luis Martín Estudillo

121-137
- PDF (Spanish)
The force of disdain: Desolación de la Quimera or Luis Cernuda’s moral identity

José Teruel Benavente

139-154
- PDF (Spanish)
María Zambrano and José Ángel Valente

Armando López Castro

155-167
- PDF (Spanish)
“Soy esos hombres juntos”: identity and fiction in José Manuel Caballero Bonald’s poetical work/poetry

María José Flores Requejo

169-182
- PDF (Spanish)
The development of the poetical self in Javier Egea’s work

Elisa Sartor

183-199
- PDF (Spanish)
The voice of the lyrical subject in Camino de Ronda by José María Micó: that fourth singular person

Begoña Capllonch

201-217
- PDF (Spanish)
Interview to Francisco Brines

Gabriele Morelli

221-226
- PDF (Spanish)

Unpublished

Where death dies

Francisco Brines

227-228
- PDF (Spanish)

DOCUMENTS

Ups and downs of the word “áureo”

Aldo Ruffinato

231-236
- PDF (Spanish)

Reviews

REVIEWS

Maria Amalia Barchiesi, Marina Bianchi, Daniele Crivellari, Emanuele Leonardi, Giovanna Minardi

237-252
- PDF (Spanish)

No. 1 (2013): Identity and metamorphosis of the lyrical 'I' in Spanish literature

MONOGRAPHIC SECTION

Beyond the subject: from the search for the other to the emptied lyrical self

The origins of Iberian poetry: profile of a lyrical proto-subject

Parece que con mis ojos se abrasan los horizontes. The lyrical evidentia of Juan de Tassis, Count of Villamediana

Towards modernity: new attitudes of the lyrical self in Spanish poetry between Baroque and Neoclassicism

Rosalía de Castro and the lyrical voices of En las orillas del Sar

The dark search for the lyrical self in Vicente Aleixandre’s surrealist poetry

Destruction of character and blurring of the lyrical subject: Lorca, Valente, Novo

The force of disdain: Desolación de la Quimera or Luis Cernuda’s moral identity

María Zambrano and José Ángel Valente

“Soy esos hombres juntos”: identity and fiction in José Manuel Caballero Bonald’s poetical work/poetry

The development of the poetical self in Javier Egea’s work

The voice of the lyrical subject in Camino de Ronda by José María Micó: that fourth singular person

Interview to Francisco Brines

Unpublished

Where death dies

DOCUMENTS

Ups and downs of the word “áureo”

Reviews

REVIEWS

Information

Language

DOAJ